Publication Project List
Sofia Mitsola Sisterly Affections, Catalogue
ArtReview China Metamedia, Magazine
Cory Arcangel Lisson Gallery, Brochure
Laetitia Yhap Tabula Rasa Gallery, Catalogue
Manuel Mathieu Pilar Corrias, Catalogue
Shirazeh Houshiary Lisson Gallery, Exhibition Catalogue
Christopher Le Brun Lisson Gallery, Brochure
Spencer Finch Lisson Gallery, Brochure
Peter Joseph Lisson Gallery
Marina Abramovic Lisson Gallery, Brochure
Anish Kapoor Lisson Gallery, Brochure
Lawrence Weiner Lisson Gallery, Brochure
Allora & Calzadilla Lisson Gallery, Brochure
Channa Horwitz Lisson Gallery, Brochure
China Dream Teresa Eng, Catalogue
Zhao Gang Lisson Gallery, Brochure
An Object Oriented Architecture? Architecture Exchange
Architecture Studies Southeast University & AA School
This publication includes Sofia’s paintings, watercolours, installations, and exhibitions from 2019 to the present. Known for her depictions of the female body, the cover is wrapped in a sumptuous fabric shifting between gold and turquoise. Her study of classical myths and legends is echoed in the Didottian typography. Complete with a repeating rhombus motif and splashed pattern, twenty bespoke copies feature edges hand-sprinkled by the artist. Commissioned by Galerie Eva Presenhuber, and Pilar Corrias; Published by DCV.
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, hardcover
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, cover detail
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, table of contents
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, plate detail
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, page number detail
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, double page spread
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, text detail
Photo by Twelve (c) 2026
Sofia Mitsola, Sisterly Affections, sprinkled edge detail
ArtReview is an international contemporary art magazine based in London, Twelve was asked to design the Chinese edition in 2023. The overall design maintains the essence of the international version by John Morgan Studio while interpreting Hanzi and Latin scripts in parallel. Reflecting a lineage of quiet precision in Chinese print design, it articulates the balance between modernism and traditional formality.
Photo by Thomas Adank (c) 2024
ArtReview China, Meta Media, logotype and layout
Photo by Thomas Adank (c) 2024
ArtReview China, Meta Media, logotype and layout
Photo by Thomas Adank (c) 2024
ArtReview China, Meta Media, logotype and layout
Photo by Thomas Adank (c) 2024
ArtReview China, Meta Media, logotype and layout
Photo by Thomas Adank (c) 2024
ArtReview China, Meta Media, logotype and layout
Arcangel explores the potential and failures of digital technologies—both old and new—highlighting their obsolescence, humour, aesthetic attributes, and eerie influence in contemporary life. The brochure design incorporates the materiality of his exhibition in Shanghai 2024, while its physicality resonates with the echo of Arcangel’s practice. The title of the show is printed on fluorescent paper snippets, loosely enclosed in a PVC wrap. The typographic method closely relates to the one used on GitHub, and the pixel-based artworks can be infinitely zoomed in.
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure
Photo by Twelve (c) 2025
Cory Arcangel, Lisson Gallery, exhibition brochure