Twelve
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New Legend, LOUIS XIII, visual identity for exhibition
Photo by Chen Liang (c) 2023
New Legend, LOUIS XIII, visual identity for exhibition
Photo by Che Kai (c) 2023
New Legend, LOUIS XIII, visual identity for exhibition
Photo by Twelve (c) 2024
Evelyn Hofer, The Photographers’ Gallery, visual identity for exhibition
Photo by Twelve (c) 2023
Evelyn Hofer, The Photographers’ Gallery, visual identity for exhibition
Photo by Twelve (c) 2023
Evelyn Hofer, The Photographers’ Gallery, visual identity for exhibition
Photo by Twelve (c) 2023
Manuel Mathieu, ile noire, packaging design
Photo by Twelve (c) 2024
Marina Abramovic, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2023
Marina Abramovic, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2023
Marina Abramovic, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2023
Marina Abramovic, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2023
Marina Abramovic, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2023
Manuel Mathieu, Exhibition Catalogue, Pilar Corrias & HdM Gallery
Photo by Twelve (c) 2023
Manuel Mathieu, Exhibition Catalogue, Pilar Corrias & HdM Gallery
Photo by Twelve (c) 2023
Manuel Mathieu, Exhibition Catalogue, Pilar Corrias & HdM Gallery
Photo by Twelve (c) 2023
AI: Who's Looking After Me?, Exhibition Design, Science Gallery London
Photography by Angela Moore, 2023
AI: Who's Looking After Me?, Exhibition Design, Science Gallery London
Trailer animation, 2023
Social Media Campaign, ‘Feeling Her Way’, Sonia Boyce
La Biennale di Venezia, British Pavilion 2022, Venice
12 Abby, typeface in six cuts, ‘Feeling Her Way’, Sonia Boyce
La Biennale di Venezia, British Pavilion 2022, Venice
Exhibition title, ‘Feeling Her Way’, Sonia Boyce
Turner Contemporary, 2023
Video Title Cards, ‘Feeling Her Way’, Sonia Boyce, video screenshot (c) British Council, 2022
La Biennale di Venezia, British Pavilion 2022, Venice.
Exhibition guide, ‘Feeling Her Way’, Sonia Boyce
La Biennale di Venezia, British Pavilion 2022, Venice
Social Media Campaign, ‘Feeling Her Way’, Sonia Boyce
La Biennale di Venezia, British Pavilion 2022, Venice
Cover artwork by Cao Fei
ArtReview China, Photo by Thomas Adank (c) 2023
ArtReview China
Photo by Thomas Adank (c) 2023
ArtReview China
Photo by Thomas Adank (c) 2023
ArtReview China
Photo by Thomas Adank (c) 2023
Vacuum-formed Title Wall
‘In the Air’, Wellcome Collection, London. Photo by Thomas Adank (c) 2022
Laetitia Yhap, Exhibition Catalogue
Yanlan Foundation, Tabula Rasa Gallery, Photo by Twelve (c) 2022
Vacuum-formed Title Wall
‘In the Air’, Wellcome Collection, London. Photo by Thomas Adank (c) 2022
Laetitia Yhap, Exhibition Catalogue
Yanlan Foundation, Tabula Rasa Gallery, Photo by Wang Shilu (c) 2022
Vacuum-formed Title Wall
‘In the Air’, Wellcome Collection, London. Photo by Thomas Adank (c) 2022
Laetitia Yhap, Exhibition Catalogue
Yanlan Foundation, Tabula Rasa Gallery, Photo by Wang Shilu (c) 2022
Short Sentence, Brand Identity
Photo by Twelve (c) 2023
Short Sentence, Brand Identity
Photo by Twelve (c) 2023
Helio Oiticica, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2022
Laetitia Yhap, Exhibition Catalogue
Yanlan Foundation, Tabula Rasa Gallery, Photo by Wang Shilu (c) 2022
Nathalie Djurberg & Hans Berg, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2022
Launch Animation, ‘Feeling Her Way’, Sonia Boyce, (c) British Council, 2022
La Biennale di Venezia, British Pavilion 2022, Venice.
Tony Cragg, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2022
Nathalie Djurberg & Hans Berg, Exhibition booklet, Lisson Gallery
Photo by Twelve (c) 2022
Liu Xiaodong, Spring in New York, Limited Edition, Lisson Gallery
Photo by Twelve (c) 2021
Laetitia Yhap, Exhibition Design
Yanlan Foundation, Tabula Rasa Gallery, Photo by Tabula Rasa Gallery (c) 2022
Visual Identity for Manchester Jewish Museum
Photo by Joel Chester Fildes (c) 2021
Partition scrim in curved perspex
‘Dark Matter’, Science Gallery, London. Photo by Thomas Adank (c) 2019
Caption label with magnet fixtures
‘Dark Matter’, Science Gallery, London. Photo by Thomas Adank (c) 2019
Wayfinding with iridescent vinyl
‘Dark Matter’, Science Gallery, London. Photo by Thomas Adank (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Twelve (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Twelve (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Twelve (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Stephen King (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Twelve (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Stephen King (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Stephen King (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Stephen King (c) 2019
Behind the Stage, Exhibition Design
Plas Newydd, The National Trust, Photo by Stephen King (c) 2019